The Landscape
Prologue — Ch 1: Orus the Redwood — Ch 2: Oannes the Pacific Yew
How beautiful they are, the lordly ones
Who dwell in the hills, in the hollow hills.
— William Sharp
Meanwhile Orchard, Mother Tree of the Sink, with his jagged fingers gesticulating the low light of the Sun across his greens, considered plans for spring, as Earth slept, as hollow birdsong bounced between the trees and cave bears, balled up in sleep, dreamed. “Now is this the winter of our discontent sore respite from blazing summers to come,” the oak mused in the comfort of his crown. “When iron clouds like mischievous angels reign down in hot showers arms of war to feed our feuds. We shall, wreathed in newly grown greens, wage renewed battle, brandish new limbs as monuments to war. Our habits formed to starve our adversaries of sunlight, lay siege to roots, and strangle supply lines. Volleys of poison shall be our ammunition. Our children, too, launched by seed and spore shall, by growing, drive the engines of war, supplanting sworn enemies by root force. Sap shall be spilt, roots choked—though by the Green Spirit’s will not mine I hope! Ack! What a coward’s conscience I have… A vulgar prayer, by the Green Spirit. As if I believed in such a thing. As if the unorganized earth cared, or the insensible air gust with volition. Shadows cast by rocks have no intention, nor am I a tree to make such invocations. Let lesser plants commit their destinies to deaf and dumb superstitions. Not I! It was not by the Green Spirit’s cunning I won the throne, and it will not be lost by the Green Spirit’s will, but mine alone! I rescued the ailing House of Yellow Cups when Lord Oddard’s limbs began to wilt. I led the campaign to invade the wetlands. And I leeched the venom, too, into my traitorous brother’s roots—Yes, even into my nephews, the sapling encinas! The Green Spirit had nothing to say then. But pious trees invoke the name, saying, ‘The Green Spirit this, the Green Spirit that.’ They think the world is shaped invisibly, guided ineluctably, out of their control, by some unknowable, animating force. They know not how, by deferring to it, they relinquish their own spirits to those of us with strength enough to claim them. Their wills become the instruments of mine, not Her Greenery. And to throw them off I repeat the phrase with mock devotion, ‘By the Green Spirit’s will, it shall be done,’ and dress the habit of my naked villainy in false greens stolen from the holy ground, and seem a saint when most I play the devil.” Now as Orchard contemplates these things one of his nearby trees, a thin scrub oak among the bosks and bushes of the floodplains brings news concerning the northern front. “Lord Orchard,” he says, “we’ve received word that Bostick of the Creek’s Northern Tribute has turned traitor and joined Onion the tanoak. Both parties mean to press their advantage against you when plants revive in spring. I fear the double force will overwhelm our shore’s depleted numbers.” “The crooked weeping oak! I might’ve known,” the roots of Orchard in displeasure spoke. He thrummed and shook his four trunks loose of old toothy leaves that fell to the ground, between the bald, exposed knees of his roots. His bark, scaly and gray, was overgrown, over scars of branch collars and large burls, and everywhere spotted with black cankers. So barren had he made the soil of his home to ward off new growth and new challengers to the throne, there remained only his bare legs and heaps of leaf litter between his toes. “Let us dispatch with that moldy Bostick before he can muster his soggy oaks from the marsh. Let his water-logged roots drink deep the well of poisonous fungi. Inject ten-fold the toxins it would take to lay waste to that swamp he calls a home.” “But my Lord,” said the scrub, “how will we send such a bane? Bostick defected from our ranks and cut all ties with us. His links are severed. His guard is sure to be up. He would receive no message or parlay from us.” “I know a tree he may hold counsel with,” said Orchard. “A good and honest tree. A simple tree. Eager to join the woods in harmony. Let the keehl from the Hill make his plea. Let his shade find the way to Bostick and we shall discreetly down that path cart the poison, sneaking into the wetlands the deceitful conveyance by his errand.” So Orchard reaches out to the young redwood who was eager to make a pact with plants from the Sink. The wicked oak, in words sweeter than he had when they’d first met, tells Orus how now he’s keen to strike a deal. “To join roots in mutual prosperity,” he waxes, “for the good of all plants in the Watershed. How I long for such a world in which to stand! How my heartwood aches for an end to war. But not all trees are like us, young redwood. No, sadly, some are rotten to the core. The trees of the wetlands, the twisted oaks, would drain the Creek itself dry just to win. Their leader, who was a good friend of mine— his wood has grown so rigid, so coarse— cuts ties between the banks and the meadows and out of malice refuses peace talks. If only someone could talk sense into him. If only someone could reach out their roots and reason with him, and convince him of the truth of goodwill and treehood. Someone… like yourself. Why yes, that’s it! Oh redwood, Oh Orus, would you? Would you speak with him? Move him with your words, as you moved me.” “Of course,” says Orus. “I’ll do what I can. But this valley oak, how will I find him?” “Most excellent redwood,” Orchard squeezes the saccharine from the tips of his roots. “I’m eternally in your debt, and promise your stand and all its plants shall have as much water as their thirsty roots can get! The way to Bostick is not hard. The Meadow is north, beyond the Creek. Follow the stream until you reach the edge of the treeline. There, where the woods give way to grass, you’ll find a red-barked, pacific madrona. Menzies. A good tree. A friend of mine. Find him. He will tell you where to go from there.” Orus agrees, and the scheming oak adds: “I’m sure you will find success in your quest. Pray, will you also deliver a gift from me? A show of goodwill between our parties. Say to Bostick it’s a token for all his years of loyal service—from my roots to his. I’ll send it in a caravan behind you.” Orus consents again, and late in winter his journey begins north to the wetlands. It was slow-going in the coldly packed soil. His sylvan shade travels along the hillslope, through byways of mycelia and highways of runners that reach from plant to plant. Black and gray pines play host to many a town and city, their serrated treelines swaying in the wind. And the floor is black and strewn with heart-shaped leaves of ginger, or dense with feathered headdresses of ferns or the empty candelabras of rhododendrons. The brush is littered with many fallen poles dug into the slope, branchless and melting into the humus, crowded always with new life overtaking. His shade roams and stirs awake the sleepy villages of rhizome and root, and plants, bemused by his unexpected visit, step down from the comfort of their crowns to ask what he was up to so far from home. “I’m on my way to see Bostick the oak,” he says. And they, so unused to foreigners, make much of his travels, remarking to him as he passes their nodes. “But do you not know there’s a war going on down there? Beeches do battle along the Creek, spring after spring, warring with each other to claim their share.” And the redwood replies, “I know they do, but I’m not scared. I go to bring the woods together, and make peace among the trees.” And when he has departed they gossip between them, curious and bewildered, speculating on the affairs of the forest and adding of Orus, “What an odd little tree.” Near the end of the season the redwood has wended the lowland stands of the Holt and come upon the border with the Prairie. There across a shallow tribute lay the Wet Meadow beneath the range. There, a hundred trickling runnels split the brome and sedge and babbled on their way down to the Creek. Long, long ago in that realm, before the high ridge fell, tall groves of conifers had grown, their canopy high and full. But the scarp of the ridge collapsed in the last War of Pines, and landslides dammed the dale and the waters of Lakeside. And the lake, flooded with the spring melt, overflowed and filled the groves, choking the conifers. Only hardy oaks survived, whose offspring to this day are sovereign over the kingdoms of the feudal Wet Meadow. So Orus comes to the border with it, between the woods and the Meadow, and there meets Menzies the madrona, a tree at the edge of the timberline. A handsome tree. His trunks of terra cotta bend their countless enations away from the woods, reaching into sunlight. His crown of shiny dark greens sits high on his branches like a tree of the African Savanna, like a bushwillow or an acacia, high-topped and slanting like someone who cocks their hat forward on their head. In his crown are nested clans of chickadees, and robins and pigeons and waxwings would often visit to dine on his berries, bringing news of the Watershed. The madrone was known to be a well-informed tree on the periphery, a tree well-acquainted with gossip and rumor. “I knew it was you,” says Menzies. “I could hear you coming a mile away. Pray the Green Spirit grants you a stealthier approach if you intend to sneak up on Bostick the oak. It may be the wet season, and cold, but he’ll awake if he hears your coming foretold.” Orus, confused, replies, “What do you mean? I don’t plan to sneak up on anybody. Orchard the Mother Tree sent me to speak with the Lord of the Northern Grasses.” “You mean, you don’t plan to do it as he sleeps?” the madrone inquires, concerned. “Far be it from me to question your methods, conifer, but if I may say so, it will complicate things. The kind of poison that will kill a tree as stout as Bostick is best administered secretly.” “Poison?” cries Orus in disbelief. “What poison?” “What poison?” cries Menzies equally incredulous. The madrona was quite confused. “Why, the thing you were bid bring him. Orchard’s gift. The convoy that you tow.” Horrified, Orus’s shade nearly shrinks all the way back to his dormant trunk. “What, do you mean—you didn’t know?” Menzies asks, puzzled. “When Orchard wants a favor done, nine times out of ten it’s treacherous business.” “I had no idea!” Orus says, embarrassed. Menzies mulls it over in his crown, then shrugs and says aloud, “I suppose it doesn’t change things much. Now listen and I’ll tell you where to go. Once you cross into the grasses you’ll find the Wet Meadow well-connected. Follow the road of lupine until you come to a town of spreading phlox. Beyond that is the mound where Bostick grows. I’d show you the way myself, but everyone knows me and my reputation, so I must stay put at home.” “Because you’ve done this before?” says Orus. “Yes, of course. I’m Orchard’s ambassador. His liaison, if you will. I do the sorts of things that need doing this side of Middle Hill. The realm is big but I have my birds to whisper secrets in my branches. It’s how I learned of Bostick turning coat, and of your impending arrival, redwood. Everybody knows I’m a tree who knows.” “And one who slips poison into plants while they sleep,” says Orus, questioningly. “Do you not find the practice cowardly?” “Cowardly?” cries Menzies. “Heavens no! It’s a matter of expediency. Why, many times I’ve been there with them when I did it, speaking gentle words as their souls fled to the Great Glade beyond the Sawtooth Mountains. But they protest, or beg, or complain, and the work becomes a fraught chore. It’s much easier to drop the package off without bothering to knock at the door.” Now Orus wonders, “Do their protests not make you doubt yourself in the moment? Have the dregs of conscience never stayed your resolve, nor dampened your spirit, nor afterwards fill your limbs with guilt? Does it not affect you to see their bark gray and the greens on their crowns wilt?” And Menzies, “Oh yes of course. But that will give way upon receiving the reward. Orchard pays handsomely for such things. He pipes in aromatic sap, as much as I can store. I remember when I used to think like that. A conscience is a terrible thing to have, let me tell you. A tree cannot live with it. A blushing shamefaced spirit that mutinies and warps a tree’s concentric rings. He winds up misshapen, and any sense of happiness he might’ve had is ruined. So I say to anyone who means to live well, endeavor to trust in yourself, and grow without the burden of one.” Orus, rather disheartened, wonders, “How does one live without a conscience?” And Menzies: “Oh that’s an easy thing to do. Simply, if its breeze should ever whisper words windy and unpleasant to your crown, and make you feel otherwise than good, shut your pores and batten down your wood. Tell yourself instead that it lies and deceives. But look, it comes anon! The package that was promised. Will you guide it, Red, into the Meadow, thorough Bostick’s roots?” But Orus, despondent, says that he cannot. Nor can he make, in his downtrodden state, knowing how he’s been fooled, a fit argument. His voice, choked as it was in that tangled space of roots, can find neither the words to answer nor strength to cross into the realm below. There, beyond the madrone, the Meadow, lush with uncut hair of grasses and forbs, with feathery wands, bentgrass and reedgrass, that bowed their banners to the wind. Pale now, in spring their color would return, replete with heraldic inflorescence of herbs, white and yellow emblems of umbels, green and swaying scepter spikes, coronets of extravagant panicles emblazoned, of milkweed and cress and cow parsnip, of worts and rush parading colorful arms in sessile march across the Wet Meadow. Ashamed, dejected, realizing how little he has understood, Orus returns through the lowland stands, back to his grove, to languish and to brood. When news reaches Orchard’s roots the knotty oak cuts all ties with Middle Hill. All the work of the bracken those twoscore years growing down the rugged gravel slope is all for naught. “Foolish treeling,” Orchard cries, fuming from his spot on the Sun-dappled bank. He writhes his mottled, corkscrew branches and shakes the knobby knees of his roots. “Too foolish even to be of use. Good riddance to trees from that self-righteous Hill. Let us be on with our war. Enough tricks and subterfuge. Let the bloody deeds that trees do to win their place in the Sun be done in the open.” So Menzies delivers the poison himself the rest of the way. He sends out spies, the birds from his slanted attic, to chirp beneath the eaves of all the shrubs and trees in the Meadow, to sing a warning song and threaten the peasantry not to obstruct his arrival or get in the way of what’s to come. The land is aquiver. Inconstant wind rakes the grasses to and fro. No one who hears his coming makes a sound. None play the hero. It’s foul business now, plants whisper between themselves, when all pretense is dispensed with, when wicked violence is done against the lords of the Watershed publicly, without protest. Nevertheless, somehow, Bostick has awakened. The valley oak awaits the madrone to deliver the fateful blow. “Come to do Orchard’s foul work,” he says. “One of the Mother Tree’s hirelings, are ye? His lackey come to lay me low. Drawn forth among all plantlife to slay the innocent. Despicable! Thou art not, as I am, madrone, royal. And yet thou enterest my realm with such a show, to wield thy brazen license over me and my own?” “You are not, water oak, as I am, loyal,” says Menzies. “Your limbs have gone awry with treason and treachery against the Creek. My master is displeased, and hence am I.” “Thy master was before I abandoned all loyalty and bonds of honor with him a more treacherous and disobedient tree than any other in the Basin, violating laws of the Green Spirit, crimes graver by far than those I committed when I broke oaths demanded by his twisted, rotten whims.” And Menzies says, “Here is another of his whims. I am the green spirit you transact with today. I am the dead of winter, its maw of icy breath. They call me Menzies, and I will be your death.” “Thou art but a useful limb of a wicked tree,” says Bostick. “A branch of Orchard’s depravity the accursed oak uses to wag at his enemies. Thou hast no right, henchman, to judge me. Thou stave, thou most unnatural tree!” “I am more alike to Nature than you think. The part of it that hoodwinks, undermines, erodes the plans of those cleverest trees. I am that saying of my parents, who were once proud lords, like yourself, in these wetlands, laid low by the likes of oaks like thee—they said: ‘An expert lockmaker requires an expert thief.’” But Bostick is unmoved. “Thou canst not sway me of thy worth with a conscience such as thou hast in thy wood, blemished, corrupt. Know that my own conscience is clean.” Now Menzies’s shade lets the poison to its work, unleashing a floodgate, a sluice of fungal roots that drain their viscous death into the helpless tips of Bostick’s feet. The venom rushes in and the hairs of his roots are numbed. If it were summer and his head were full with a dense crown of greens, perhaps the oak would’ve had strength enough to repel the attack. But as a bare frame, a skeleton of veins that once inhaled life from the air but now hangs lifeless, Bostick is defenseless against the fungi that pump their toxins in his cold roots. The soft innerwood begins to thicken. Outside the checkered bark is stricken. Corpuscles of plague scab and flake away. The habit of the valley oak upon the mound, flanked by riffling rills and grass, turns gray. His weeping twigs sink. His organs fade. And his treesoul, as plants say, returns from whence it came, to that Great Glade.
I feel similarly about the novelty of writing about trees. It let me write the kind of poetry that I otherwise wouldn't, because it would've been anachronistic and dull. But with the conceit, and the richness of nature language, it was always entertaining. It still is to read it.
There are some instances of plants secreting chemical compounds, both through their leaves to irritate animals, and through their roots to deter other plants. The black walnut, for example, secretes a chemical into the soil to ward off competitors. It's unlikely that they're sending those things through fungi, although plants in forests are often connected through mycelia, the roots of fungi.
As expected, it maintains the same quality as the previous chapters.
If this was about some ordinary historical episode, the style would risk being tiresome and anachronistic. But that gets lost, to me, in the strangeness of it being all about trees.
Some amusing lines from the dialogue in this chapter: "What an odd little tree." "Everybody knows I'm a tree who knows."
I also like: "The realm is big but I have my birds/ to whisper secrets in my branches."
Some fine details of description: "birdsong bounced between the trees", "cave bears, balled up in sleep", "byways of mycelia and highways/ of runners that reach from plant to plant", "feathered headdresses of ferns", "the sleepy villages of rhizome and root", "in his crown are nested clans of chickadees", the whole description of "the Meadow".
At the risk of sounding naive... the notion of trees passing on fungi to poison other trees, does this actually happen? or is it a conceit of the poem?